Expectation is the Mother of Creation
I had a little paper snippet I carried around in my Franklin Covey paper planner (showing my age) that Iād cut out of Readerās Digest a million years ago. Placed under an embroidery cat from a card my sister had given me I carried it for over 17 years in my diary. It was possibly a bit āstraightā for me, (condescending, conservative, slightly pompous) but still I liked the sentiment of it, phrases such as āthe person you choose to marry is as deserving of the courtesies and kindnesses you bestow upon your friendsā. The one that struck deep with me was number 4 ābelieve in the best rather than the worst. People have a way of living up or down to your opinion of themā. If that isnāt code for Law of Attraction, I donāt know what is, though I had no idea for all those years. What I had read about, which also affected me profoundly (also in the Reader Digest I suspect) is what I have since discovered is called the Pygmalion effect proved by the Rosenthal-Jacobson study in 1968. All I knew was that a bunch of teachers had been told that their classes had been tested with some new IQ test that could determine who would do better that year, in comparison to their peers. The results were staged and 20% of each class was randomly assigned the designation of āintellectual bloomerā. Without fail, and regardless of ability, every child that had been classified as an intellectual bloomer, improved. Through expectation alone. Expectation of the teachers alone was enough to boost the children’s performance. The research that prompted this study was done in 1911, this stuff isnāt new.
When certifying for the Emotion Code, I spent a lot of time with case studies, people and pets I didnāt know, as well as with friends. At some point along the way I had considered expectation with animals and I remember mentioning it, casually, to a friend about her large, noisy German Shepherd who barked constantly at the hedge when people went past. After Iād worked on him to release his frantic desire to protect them from what he saw as a threat (strangers approaching the house), I told her to just accept that he was now perfectly behaved and not to allow her mind to āexpectā his bad behaviour. The results were incredible. I like to think the healing helped some but I suspect, far more potent was her confidence in my healing, allowing her to expect his better behaviour, thereby getting it. Unfortunately it didnāt last forever, but was that him changing or her expectation lapsing? Sadly not many of us are very good at expecting good results, especially where weāve failed or been let down before, never mind expecting them to last, weāre always waiting for the other shoe to drop, for it all to go Pete Tong. We never got around to doing it again for various reasons, but Iām sure if we repeated it a few times, and reinforced her positive expectation of him, his barking would have ceased long term.
Obviously I canāt go much further in any writing now without referring to my new found love of āKateās TVā, which, whilst I was bewitched by RuPaul, āKateās TVā was actually born by the Great Pottery Throw Down. In the current series the first one I watched was mesmerising and because I couldnāt wait a week for the next in the current series I watched all the old ones. Thank goodness for TV on demand. In the first episode that I saw, I watched the potters make a 3D building out of clay and I was absolutely smitten with it. They did a lighthouse, a fantasy house, an engine houseā¦.It stirred up a creative force in me that literally filled my veins with a desire to create. To give it all up and buy a potterās wheel and live happily in a shed at the bottom of the garden. Not that you needed a wheel for this challenge, but you may as well have one if youāre going to live in a shed. I was completely besotted with the detail, the passion, the talent, everything, and that triggered me to continue watching a series I had previously shown no interest in. So this was the first time Iād watched any sort of competition like this, I may have flicked through Bake Off, but Iām not really impressed by cooking ā decorating cakes, yes, certainly, but Iāve never watched a program where you watch a dozen people doing challenges and competition doesnāt really fire me up at all, and I hate the imposition of āpressureā that seems to be essential viewing in everything now. Remember when Ice Road Truckers was just the right amount of scary because you didnāt want them to fall through the ice? But you could manage it because you sort of assumed these guys knew what they were doing and they werenāt about to take stupid risks despite the voiceover implying it was certain death. Well you canāt watch it now without being constantly terrorised by the spectre not of instant death, but of dismissal, or failure because they are a minute behind schedule, endless drama because BillyBobās speeding towards financial ruin, and missing this arbitrary, artificially imposed timescale spells the end not only for BillyBob but the whole company and community. Itās just too stressful to watch now.
Back to the Throw Down. If you want a reason to watch it, Keith Brymer Jones is reason enough, Gruff, hairy judge, he literally wells up at anything he finds beautiful, and shamelessly cries on TV. I love him for that, I love that he chokes on his words when he praises someoneās work, and I love that almost inevitably, the person heās judging, and/or, one of the other judges, also wells up just at the sight of him crying. Itās fabulous. And I cry right along with him. But you canāt help but end up loving all of these people, the contestants, watching them, as you do, week after week, conquer their inner demons, discover their strengths and talents, and apparently, forming genuine, strong and meaningful relationships with their fellow contestants. Itās really happy viewing. But having watched all the series I could get my hands on (if anyone knows how to get the BBC2 episodes, please let me know Iāll give you a free reading!) and then RuPaulās Drag Race, what I reflected on most was this constant referring to āpersonal growthā. The apparently incredible improvement these people achieved just by taking part. Potters and Drag Queens alike. How? Learning from each other? Certainly there would be a bit of that, but itās a competition, not a teaching opportunity, I can see that youād get inspired by your fellow contestants, but what actually makes you suddenly improve? āGrowā? I personally donāt think that being put under pressure necessarily āimprovesā one, and Iām finally learning the more space I give myself, the more surprising, unexpected creativity sneaks in. What I will concede is that by stretching yourself a little bit more, and by achieving it, you become a little bit more confident, and your expectation grows. And I think this is the key. This situation forces people out of their comfort zone. And as they survive each step, they begin to realise that the judges and their fellow competitors, expect them to be able to do it. Otherwise they wouldnāt be there. Is that what all this growth is about? Not just stepping out of your comfort zone, but by realising that just by being there you have the support and expectation of the judges, the program makers, the audience, and to some extent, rivalry aside, the other competitors, to succeed?
Meanwhile, Iāve just completed Live Streaming Proās 30 day challenge to get confident on camera and my biggest epiphany was simply that. I would not be here, being pushed out of my comfort zone, unless I was meant to be here. I would not be calling myself an animal communicator and an energy healer, despite all my misgivings and crises of confidence, if I wasnāt good enough. I would simply have fallen by the wayside at the hundreds of potentially confidence crippling events along the way.
But I didnāt fall. I am here. I am meant to be here, doing this.
Expectation is everything.